Jason Brady
Victoria, BC
VS. Claudette Jaramillo
Grants, NM
 
 
Jason Brady
Gypsy Caravan


   
       
   
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The Theme Items
MIRROR was cut up into small mirrors for inside the caravan. The felt backing used as a rug inside, the oval frame as the caravan's rear window frame, and the scrollwork border cut up and used as decorative scrollwork outside the caravan.

YELLOW NUGGETS used in decorative panels outside the caravan.

DICHROIC GLASS. The green corrugated used to make decorative outside panels, the smooth used as decoration on the wheel spokes, the rippled as window curtains, and the blue bumpy as wall tiles behind the stove.

BLUE PYRAMIDS used as planters.

CHAIN used as border around the dichroic panels on the caravan sides.

GREEN NUGGETS used as the inside foliage in the planters.

RED TASSELS-2 used to make Lutes, and 3 as water pitchers.

GLASS BUTTERFLIES used to make a pentagram wind chime.

BEVELS used as windows for the caravan.

Construction
To be sure that everything was in proportion, it was built to scale 1" to 1'. I built everything myself, and with only materials used from the glass shop.

The Caravan body and roof was built on a ½" zinc channel frame with the roof covered in sheet copper. The wheels have glass spokes with lead rebar rims and hub. Dichroic glass was used to decorate the spokes. The pots, coffee mugs, and the stove were made from copper wire with copper wire added. The musical instruments (guitar, lutes, and violin) copper pipe with copper wire added. The candle lamps are non-glare glass with a piece of painted copper wire for candles. The planter ferns are pieces of oak leaf brass edging painted green.

Challenges
The first problem was in coming up with a design to use up that weird mixture of theme items. It was even more difficult because I had to make something small enough to take on an airplane as carry-on luggage. I wasn't willing to trust shipping it in case it didn't arrive in time, and sure wouldn't trust letting the airline luggage handlers have at it. A lot of good ideas got rejected because they'd be too big. The more I looked at the collection of stuff, the more I thought it looked flashy, trashy and tacky. Then inspiration struck. That was a perfect description of a Gypsy Caravan. For this final project I wanted to "go all out." If I couldn't make something big, I'd make it intricate, with as much detail as possible. The most difficult part was making the copper roof assembly and aligning the chimney so that the whole roof could easily be detached to view inside. It was challenging to experiment with how to make all the miniature things to add to the caravan. This was a fun project. This was the first time I've built something that the design idea was to make it as cluttered and tacky as possible.

Claudette Jaramillo
Old El Paso


       
       
       
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I wanted to take a touch of the southwest with me when I went east. So, I gathered western wear and went crazy.

Windmill: The base of windmill was welded steel. I painted and fired panels of glass for the body. I fused glass for the mill blades. The motor is a ceiling fan. I was worried it would turn too fast, but it has a nice pace.

The cowboy hat and canteen belonged to my father-in-law. The boots were donated to me by my next door neighbor. I bought a beat-up guitar at the local music store. I made an oputia cactus by slumping and fusing glass.

The eight gold glass circles and the four green glass circles were incorporated into a concho belt for the headband of the hat. The boots used three pieces of the dichroic glass, a cactus and sun on one side and an horse shoe on the other. I used the mirror for the decorative parts of the guitar and the red tassels. The cactus flowers are the fourth piece of dichroic, and the cactus has the five butterflies. The bevels and chain were used on the windmill.

The mosaic pieces I made in four sizes. I painted a lot them with southwest designs. They were all fired and slumped to round the edges. There are about 9,000 pieces of glass in the piece. The hardest part was loading and unloading the kiln. That is a lot of putting down and picking up. The good part is that it was a quick firing round.

I really, really enjoyed being in the final round and traveling to Allentown, PA. It made my summer off from teaching fly. Please !!!! Don't ask my husband about how he packed all my projects. He built crates for a week. He kept threatening to tie me to the roof of the truck if we ran out of room. Norm and I are looking forward to meeting everyone at the breakfast.

The Voting
Robert Oddy Youghiogheny Glass Marianne & Charles Warner Joe Porcelli Glass Visions Voters
Claudette Jaramillo
"Bold, very artistic & expressive. Imaginative ideas & use of various glass techniques and other media. Essentially a glass artist, makes full use of the material."
Brady: "Very talented - exceptional modeler & engineer, witty & humorous, sound design sense - proportion, line, good use of color. Artistic work."
Jason Brady
"Outstanding detail - great use of all Theme Items. A future stained glass legend!"
Jaramillo: "Great work. Museum quality! It's a shame there can't be two winners."
Claudette Jaramillo
"Creative use of the Theme Items to create an entire scene in stained glass. Terrific capturing of the Southwestern style."
Brady: "Amazing attention to detail, fantastic creativity in all projects. Neither artist could possibly be considered anything less than a winner."
Jason Brady
"Awesome detail, perfect proportions, stylish execution, great use of materials, sophisticated colors. What can I say? He's my choice!"
Jason Brady: 64%
Claudette Jaramillo: 36%
Winner of the first-ever Battlefield:Glass: Jason Brady